explain what you can infer about what the house represents to the characters in this story
The protagonist of the story, Mrs. Luella Bates Washington Jones is the stern yet immensely generous adult female whom Roger attempts to rob. Introduced equally a older, "large woman with a big handbag," Mrs. Jones refuses to let Roger run off later his bungled robbery. She at first scolds him, then—upon realizing that he likely has no family looking out for him—drags him dwelling with her to get him cleaned up and fed. Despite her numerous last names (and unsaid marriages), she lives on her ain in a boarding house; her comment to Roger that he "ought to be [her] son" so that she could teach him "correct from wrong" quickly establishes her as a maternal figure for the young boy. Mrs. Jones treats Roger non only with kindness but also with true respect, trusting him not to run off or attempt to steal her purse over again once they enter her dwelling house. This, in turn, is revealed to have a meaningful effect on the boy, who longs to become worthy of her trust. She further reveals her empathy by refusing to guess Roger'southward behavior, not pressing him on his clearly troubled home life nor moralizing about his attempted criminal offence. Instead, she insists that she, besides, has "washed things" she's non proud of. At the cease of the story Mrs. Jones gives Roger money before sending him on his way, a gesture of trust and goodwill that signals her faith in his ability to make amend decisions for himself.
Mrs. Luella Bates Washington Jones Quotes in Give thanks You, M'am
The Thank You, M'am quotes below are all either spoken by Mrs. Luella Bates Washington Jones or refer to Mrs. Luella Bates Washington Jones. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
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"You ought to be my son. I would teach you right from wrong."
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"[…] Are you hungry?"
"No'chiliad," said the being-dragged boy. "I but want you to turn me loose."
"Was I bothering you when I turned that corner?" asked the woman.
"No'thousand."
"But you put yourself in contact with me," said the woman. "If you call up that contact is not going to last awhile, you got another thought coming. When I get through with you, sir, you are going to call up Mrs. Luella Bates Washington Jones."
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"Then, Roger, you get to that sink and launder your face," said the woman, whereupon she turned him loose — at last. Roger looked at the door — looked at the woman — looked at the door — and went to the sink.
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"I believe y'all're hungry — or been hungry — to attempt to snatch my pocketbook!"
"I want a pair of blue suede shoes," said the boy.
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The door was open. He could make a dash for it downward the hall. He could run, run, run, run!
The woman was sitting on the daybed. After a while she said, "I were young once and I wanted things I could non get."
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"You lot thought I was going to say only, didn't you? You thought I was going to say, but I didn't snatch people's pocketbooks. Well, I wasn't going to say that." Interruption. Silence. "I accept done things, besides, which I would not tell you lot, son — neither tell God, if He didn't already know. Everybody'south got something in mutual. So yous set down while I fix us something to eat. You might run that comb through your hair so y'all volition look presentable."
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Merely the boy took care to sit on the far side of the room, away from the bag, where he thought she could easily see him out of the corner of her middle if she wanted to. He did non trust the woman not to trust him. And he did not want to exist mistrusted now.
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Now hither, take this ten dollars and buy yourself some blueish suede shoes. And next fourth dimension, do not make the mistake of latching onto my pocketbook nor nobody's else's – because shoes got by devilish means will burn your feet.
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The boy wanted to say something other than, 'Cheers, one thousand'am' to Mrs. Luella Bates Washington Jones, but although his lips moved, he couldn't even say that […]
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Mrs. Luella Bates Washington Jones Character Timeline in Cheers, Thou'am
The timeline beneath shows where the character Mrs. Luella Bates Washington Jones appears in Thank You, M'am. The colored dots and icons bespeak which themes are associated with that advent.
At 11:00 in the evening, " a big woman " is walking alone "with a large purse" slung across her shoulder. A immature male child... (full context)
Nonetheless gripping the male child'south shirtfront, the woman tells him to pick up her at present-cleaved purse and hand it back to her. She... (full context)
...together. "When I get through with you, sir," she says, "you lot are going to remember Mrs. Luella Bates Washington Jones ." (full context)
The young boy continues to struggle uselessly as Mrs. Luella Bates Washington Jones physically restrains him. She takes him to her room in a boarding firm--a pocket-size, one-sleeping accommodation... (full context)
Talking almost nutrient leads Mrs. Luella Bates Washington Jones to advise that Roger wanted money from her bag for food. Chop-chop, Roger corrects her... (total context)
The story shifts its attention to the divisions of Mrs. Luella Bates Washington Jones 's room, which incorporates some basic kitchen supplies behind a screen. For the commencement time,... (total context)
While Mrs. Luella Bates Washington Jones makes dinner, Roger asks if she needs him to run to the store. She checks... (full context)
Mrs. Luella Bates Washington Jones surprises Roger with the ten dollars he had originally wanted to steal. With this souvenir,... (full context)
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Source: https://www.litcharts.com/lit/thank-you-m-am/characters/mrs-luella-bates-washington-jones
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